No. 216 - THE PENNY MAGAZINE - Aug. 15, 1835
THE DEVIL'S BRIDGE.
[Devils's Bridge, South Wales]
(Engraving File Size 39K)
After passing through the narrow, funnel-shaped passage under the bridge, the impetuous Mynach makes four leaps or falls. The first is about forty yards southwest of the bridge, where, after roaring over a rought ridge, it is projected into a fine rocky basin at the depth of eighteen feet. Its next leap is sixty feet, and the third twenty. It then encounters rocks of prodigious size, and of the most bodly-picturesque forms, through which it rolls, dashes, roars, and hisses till it reaches the edge of a tremendous cliff,--a sheer precipice,--down the face of which it throws itself to a depth of 110 feet. Thus the falls together are 208 perpendicular feet, to which ought to be added some feet for the declivity of the three basins or pools they encounter in their descent. We have taken these admeasurements from Mr. Malkin's description, which our own observation proved to be the most correct. After its fourth and greatest leap, the vexed Mynach--still pouring over an oblique and rock bed--rolls, as a rapid, to the bottom of a broader and more open chasm, where it joins its waters with the Rhydol, another impetuous mountain-stream that, having flowed during part of its course through a narrow chasm like that under the Devil's Bridge, and made a fine fall a few hundred yards off, meets the Mynach nearly at a right angle. The encountering streams, particularly at the seasons when their waters are most abundant, clash and roar, rush upon and retire from each other like enemies in deadly conflict; but, after a while, becoming friendly on a better acquaintance with each other, and finding more room to move in (for the chasm expands into a fair valley and allows of a wide and level bed), they flow on, in gentle unison, like one and the same river:--
The inefficiency of words to describe a scene like this has been felt even by the first of poets; nor can the painter represent motion or sound, and without its headlong speed "rapid as the light,"--without its tremendous voice, roaring, howling, and hissing, all in one,--a cataract is only half a cataract, even let it be painted on canvass as huge as the mountains;--is little better than a dumb lion fastened to a stake, with his mane, tail, and paws cut off, and all his tusks extracted.
As we went down the rugged path which, in several places, lies over the face of almost perpendicular lumps of rock, where the tourist must use his hands to grasp the bushes, and his toes to support himself on any little ledge or hole, or inequality of surface, we gave ourselves time, at every good resting-place, to examine the beautiful picture in detail, pausing, as near as we could, at the foot of each successive fall; and, when at last we got below the fourth fall, we sat down on a broad shelving table of rock, close to the foaming sheet, and while the minute spray that filled the atmosphere of that deep hollow, and sparkled in it like diamonds, cooled our heated faces and hands, and refreshed the very heart within us, we gave ourselves quietly up to the enjoyment of sensations which we can only describe by calling them dreamy and delicious. A thousand little irides were to be seen in and over the sheet of falling water, and the prismatic colours, indeed, were scattered all about, and varied and changed places according to the sun's motion, and the greater or less brilliancy of his rays. Nothing can be more absurd than some of the guide-books when they speak of "the horrors of this gloomy chasm,"--this "abyss for ever denied a ray of sun;" for there is nothing horrid in the scene, which is beautiful rather than terrific; and as for the sun's rays, they most happily light up every part of it that wants light during a good part of the day, shining, at the very bottom of the chasm, upon the broad, grey rocks beneath the last of the falls. The light, open foliage of the trees above, and the creeping and hanging plants that decorate the rocky sides of the ravine, do not intercept the sun's rays, but here and there separate and cool them, and give them, as it were, a most delicate light green tinge. This foliage, which is far more abundant than might be expected in so rocky a scene, is the cause of much of its beauty. Whether in descending the sides of the chasm, or in looking upwards from the bottom of it, the flittering leaves and waving and overhanging branches produce the happiest of effects and contrasts.
The path or descent to which we have alluded, and which we can recommend as being the easiest, is on the left bank of the river, and nearly under the comfortable inn called the Hafod Arms. Crossing the Devil's Bridge, and going along the opposite side of the chasm, the visiter will find two other paths which lead down to the falls. From one of these, which lies over the bold promontory that separates the bed of the Mynach from the bed of the Rhydol, a most lovely view is obtained, the eye embracing all the four falls at once. But to reach the necessary point is, in sober truth, a laborious and even a dangerous task, as the face of the precipitous rock is there partly covered with a layer of soft, thin, rotten, slate-like stones, that break and crumble away beneath the foot.
At the time of our visit, which was early in June, 1834, there was only one inn, but another was building on the other side of the Devil's Bridge. From the clean, quiet rooms of the Hafod Arms, we enjoyed, even without stirring from our arm-chair, some very beautiful and tranquillizing mountain scenery. The falls of the Mynach are only hear, but the single fall of the Rhydol is seen, in a straight line from the house, at the head of a rocky glen. The never-ceasing dashing and roaring of the waters, subdued and harmonized by distance; the clouds floating over the mountains; the varying light and shade cast on the mountains' sides as the sun changes his place in the hemisphere; the bolt flight and swoop of hawks and other birds of prey that soar, as if they were proud of their safety and power, above the abyss down which the cataract thunders; the purity and sweetness of that mountain air, and a total abstraction from the turmoils of life, will of themselves be enjoyment enough for two or three days to the lovers of nature.
There are several agreeable walks in the neighborhood of the inn. One of them is delightful, and leads to a curious and picturesque bridge called "the Monk's Bridge."
On a beautiful summer evening we crossed the Devil's Bridge, and walked along the road to the distance of about a mile and a half, when we came to a quiet little church and a solitary group of cottages. We then turned off to the left of the road, and presently came to the deep, rough chasm through which the Rhydol runs. We descended about 250 feet by a rude and steep path, and then found ourselves on a ledge of rocks immediately above the foaming torrent, which is there narrow but deep. Three planks of no great breadth are laid from the rock on which we stood to another ledge on the opposite side of the torrent, and the stem of a small tree, the opposite ends of which were not very steadily fixed in the rocks, serves as a hand-rail on one side of the planks. This is the Monk's Bridge, which is of the same fashion and materials as many bridges that are found among the Alps. In crossing it the planks bent, and the single hand-rail shook so much, and seemed so weak and unstable, that we did not rely upon it for much support. This primitive and perilous-looking bridge may be about six yards long and above fifty feet above the Rhydol, which, just under the planks, has scooped out a dark deep pool, over which the torrent flows to some sharp jagged rocks close at hand, where it makes a fall. On the other side of the bridge we saw a path leading up the sides of the chasm, similar to that by which we had descended. Rough and dangerous as the passage is, it is much frequented by the peasantry. The bridge is sometimes called "the Parson's Bridge."
This Penny Magazine is brought to you by

Your Comments Welcomed! Copyright © 1995 Roger Corrie