GODEY'S LADY'S BOOK
Philadelphia, January 1850

FLOWERS.
BY H. T. TUCKERMAN.

I ATTENDED church on a fine day of midsummer, in one of the most beautiful villages of New England. The structure, though externally attractive, from its retired situation and the pleasant grove that surrounded it, like most places of worship in the country, had a very bare and unhallowed aspect within. The formal divisions of the pews, the superfluity of white paint, and the absence of anything venerable either in form or hue, made it agreeable to turn the eyes from the thinly scattered congregation and faded pulpit drapery, to the open window, against which a noble linden lightly tossed its sprays, and through which stole in a delicious breeze, that made the leaves of the hymn books flutter a response to that sylvan whispering, which had in it more of devotional music than the screeching base-viol and unchastened voices that soon drowned all other sounds. In reverting to the scene more immediately adjacent, however, I suddenly beheld a vase of flowers on the communion-table. They were most inartificially and tastefully arranged; the brilliant tints judiciously blended, the shadowy green naturally disposed, and the base of the jar which contained them wreathed with trailing blossoms. The sight of this vase of flowers was like enchantment. It seemed to fill that forlorn church with its presence. It spoke of nature, of beauty, of truth, more eloquently than the service. It atoned for the meagre altar, the homely edifice, and the ungarnished pews. It seemed to embody and typify the externals of worship with sacramental chalice, baptismal cup, and odorous censer.

Science and sentiment have rather formalized than illustrated the association of flowers; the one by its rigid nomenclature, and the other by an arbitrary language, profane the ideal charms of the floral kingdom. It is pleasant to regard these graceful denizens of the garden and forest, in the spirit of that fine hymn of Horace Smith's which celebrates their beautiful significance. Instead of looking at them through the microscopic lens of mere curiosity, or according to the fanciful and hackneyed alphabet that Floral dictionaries suggest, let us note their influence as symbols and memorials. To analyze the charm of flowers, is like dissecting music; it is one of those things which it is far better to enjoy than to attempt to understand. In observing the relation of flowers to life and character, I have often been tempted to believe that a subtle and occult magnetism pervaded their atmosphere; that inscriptions of wisdom covered their leaves, and that each petal, stamen, and leaf, was the divining rod or scroll that held an invisible truth. Viewed abstractly, one of the peculiar attractions of flowers is the fact that they seem a gratuitous development of beauty; "they toil not, neither do they spin." In almost every other instance in nature, the beautiful is only incidental to the useful; but flowers have the objectless, spontaneous luxury of existence that belongs to childhood. They typify most eloquently the benign intent of the universe; and by gratifying, through the senses, the instinct of beauty, vindicate the poetry of life with a divine sanction.

Their fragility is another secret charm. A vague feeling that the; bright hue is soon to wither and the rich odor to exhale, awakens in the mind, unconsciously, that interest which alone attaches to the idea of decay. These two ideas – that of the gratuitous offering of nature in the advent of flowers, the benison their presence seems to convey, and the thought of their brief duration––invest flowers with a moral significance that renders their beauty more touching, and, as it were, nearer to humanity, than any other species of material loveliness. Of the infinite variety of form, the exquisite combination of tints, the diversity of habits, and odorous luxuries they boast, it would require an elaborate treatise to unfold. We may obtain an idea of the perfection and individuality of their forms by considering their suggestiveness. Scarcely a tasteful fabric meets the eye, from the rich brocade of a past age to the gay prints of to-day, that owes not its pleasing design to some flower. Not an ancient urn or modern cup of porcelain or silver, but illustrates in its shape, and the embossed or painted sides, how truly beautiful is art when it follows strictly these eternal models of grace and adaptation. Even architecture, as Ruskin justly indicates, is chiefly indebted to the same source, not only in the minute decorations of a frieze, but in the acanthus that terminates a column, and the leaf-like pointing of an arch. A skillful horticulturalist will exhibit the most delicate shades of fragrance in different species of the rose, until a novice cannot but realize to what a miraculous extent the most refined enjoyment in nature may be sublimated and modified; and the same thin« is practicable as regards both hue and form.

The spirit of beauty, in no other inanimate embodiment, comes so near the heart. Flowers are related to all the offices and relations of human life. They bound the sacrificial victim of the ancients; and, from the earliest times, have been woven into garlands for the victor, trembled in the hair of the bride, and cheered the invalid's solitude They have been ever offered at the shrine of beauty, and claimed as the pledges of love, nor ceased to adorn the banquet or be scattered over the grave. Thus domesticated, even without intrinsic beauty, and exclusive of any appeal to taste, flowers are blended in the memories of the least poetical with scenes of unwonted delight, keen emotion, and profound sorrow. Hence they have a language for each, not recognized in any alphabet, and their incense is allied with the issues of destiny. McGregor's foot was more firmly planted, because upon his "native heather;" the Syrian, in the Jardin des Plantes, wept as he clasped his country's palm-tree; Keats said, in his last illness, that he felt the daisies growing over him; and one who, even in renowned maturity, had wandered little from the singleness of childhood, declared he could never see a marigold without his mouth's watering at the idea of those swimming in the broth Simple Susan prepared for her mother, in Miss Edgeworth's little story. There is no end to the caressing allusions of Petrarch to the violet and the laurel, so identified with the dress and name of his beloved. Indeed, we might scan biography and her poets for years, and continually find new evidences of the familiar and endearing relation of flowers to sentiment. Each of the latter have celebrated some favorite of the race in their choicest numbers; and the very names of Ophelia and Perdita are fragrant with the flowers that Shakespeare, with the rarest and most apposite grace, has entwined with their history.

The Venetian painters must have studied color in the hues of flowers; for the brilliant, distinct, and warm tone of their works, affects the spectator exactly as these rainbow gems; especially when they strike the eye in an isolated position, or surrounded by dim umbrage. Nor is this effect confined to the domesticated flowers; for the richest and most delicate gradations of tint occur among uncultivated and indigenous plants––such as the lobelia of the swamp, the saffron of the meadow, and the nameless variety of prairie blossoms. There are few more curious subjects of speculation than the modus operandi by which such an infinite diversity of colors are obtained from the same apparent source. This is an exquisite secret of nature's laboratory. The physiology of plants has been successfully investigated; and it is interesting to consider that the vitality of flowers is much the same as our own as regards its process, though so different in kind. They have affinities of sensibility; they germinate and fructify; but the elements they assimilate are more subtle than those which sustain animal organization; yet sun, earth, and air nourish them according to a nutritive principle not unlike that by which our frames are sustained. The reciprocal action between vegetable and organic life, and their respective absorption and diffusion of gases, is one of the most beautiful expositions of science. But the instinct of flowers is not less curious; some fold their leaves at the approach of a storm, and others open and shut at particular hours, so that botanists have rejoiced in floral dials and barometers. Their relation to sight and smell is very obvious; but that to touch is less regarded, and yet it is extraordinary how the feel of almost every known fabric can be realized by the contact of leaves. Where the touch is sensitive, experiments of this kind may be tried, much to the amusement of the sportive; for many leaves, if unperceived, and at the same time subject to an exquisite touch, give the sensation of animal, insect, and even mineral substances, indicating how intricately modified are the proportions of fibre, down, juice, and enamel in their composition. In their associations, however, flowers are quite independent, both of rare qualities and peculiar beauty.

Almost all great men have loved rural seclusion, and have had their favorite villa, island, arbor, or garden-walk. In Switzerland, Germany, and, indeed, everywhere on the continent, these places, consecrated by the partiality or endeared by the memory of genius, are shrines for the traveler. Such are Clarens, Vaucluse, and Coppett. Lamartine's tenderness for Milly, his childhood's home, as exhibited in his late writings, illustrates a sentiment common to all imaginative and affectionate. men ', but it is observable that sometimes these charmed spots boast no remarkable floral attractions, often only sufficient to make them rural; a grove of pines, a small vineyard, a picturesque view, and not infrequently s single tree – like the famous old elm at Northampton, amid whose gigantic branches Dr. Edwards, who wrote the celebrated treatise on the Will, was accustomed to sit and meditate – any truly natural object redolent of verdure and shade, is enough. And the hedges of England; the moors of Scotland; the terrace-gardens of Italy; the scrambling, prickly-pear fences of Sicily, and the orchards of America, are attractive to the natives of each country on the same principle. With the beautiful distinction of flowers that, gathered into magnificent horticultural shows or hidden in lonely nooks, they alike address the sense of beauty, so that a little sprig of forget-me-nots may excite a world of sentiment, and one scarlet geranium irradiate an entire dwelling.

Flowers not only have their phenomena, but their legends. The latter are usually based upon the idea of a sympathetic character, as that which transforms Daphne into a laurel, and changes the pale hue of a flower to crimson or purple at the occurrence of human shame or misfortune. Even veneration is excited by the mysterious natural history of some flowers, or the idea they symbolize. Thus the aloe, that blossoms once in a century, and the night-blooming Cereus, which keeps vigil when all other flowers sleep; and the Passion-flower, in which the Catholics behold the tokens of our Saviour's agony, have a kind of solemn attraction for the eye and fancy.

There is no little revelation of character in floral preferences. It accords with the humanity of Burns that he should celebrate the familiar daisy; with the delicate organization of Shelley that a sensitive plant should win his muse, and with Bryant's genuine observation of nature that he dedicates a little poem to an inelegant and neglected gentian. It is in harmony with the English idiosyncrasy and church attachments of Southey, that his most charming minor poem is in praise of the holly, the symbol of a Christian and national festival; and no poet but Crabbe would descend to so homely a vegetable product as kelp. There is no flower more peculiar in its beauty and growth than the water-lily; accordingly, Coleridge, with his metaphysical tendency to seize on rare and impressive analogies, has drawn a comparison from this flower which strikes me as one of the most poetical as well as felicitous in modern literature. Speaking of the zest for new truth felt by those already well instructed, as compared with the indifferent mental appetite of the ignorant, he says, "The water-lily, in the midst of water, opens its leaves and expands its petals at the first pattering of the shower, and rejoices in the rain-drops with a quicker sympathy than the parched shrub in the sandy desert." The dreamy, half sensuous and half ideal nature of Tennyson, is naturally attracted by the sweet ravishment innate in the breath and juices of some flowers. He is fitted keenly to appreciate the luxurious indolence and fanciful ecstasy thus induced; and, therefore, one of the most effective and original of his poems is "The Lotus Eaters." Moore's famous image of the sunflower is a constant bone of contention between horticulturists and poets; the former asserting that it does not turn round with the luminary it is supposed to adore, but is as fixed on its stalk as any other flower; and the latter declaring that the metaphor "se non e vero, e ben troonto."

Few plants are more graceful or versatile in contour than the fern. One can scarcely pass a group without recalling that line of Scott which so aptly describes the utter lull of the air: –

"There is no breeze upon the fern, no ripple on the lake."

And what figure of rhetoric better suggests the caprice of woman than that which has almost become proverbial since it was incorporated in his spirited verse: –

"–– variable as the shade

the light, quivering aspen made!"

Goldsmith's sympathy with the rural and the human is associated intimately with the hawthorn, " for whispering lovers made." Rosemary has been more emblematic of remembrance, since it was so offered by the "fair Ophelia;" and heart's-ease is consecrated by the elegant compliment to "the virgin throned by the West," to which it is indebted for the name of "love-in-idleness." The epicurean utilitarianism of Leigh Hunt recognized "comfort" in the feel of a geranium leaf; and who that has read with appreciation Miss Barrett's fine poem, elaborating the beautiful sentiment of the Bible, "He giveth his beloved sleep," can see a poppy, that gorgeous emblem of the drowsy god, without a benison on the thoughtful lyrist? I think that the yellow broom must have originally flourished in lonely places. For hours, I followed a mule-path in the most deserted part of Sicily, cheerful with its blossoms, whose rich yet delicate odor embalmed the air; hence the significance of Shakspeare's allusion to this flower, "which the dismissed bachelor loves, being lass-lorn." Campbell must have had an oppressive sense of the poisonous horror of nightshade, from his reference to it in the protest against skepticism as the natural companion of dismay. I have always thought the thistle an apposite symbol, not only of Scotland, but of her martyred queen – "its fragrant down set round with thorns, and rifled by the bee."

One of the most popular tales of the day –– "Picciola" –– is based upon the interest which a single flower may excite when it is the sole companion or a prisoner; and the favor this little romance has enjoyed, proves how natural is the sentiment it unfolds. The most serenely religious minds, however indifferent to art or scenery, are not infrequently alive to this feeling; the constant allusion to flowers, in a metaphorical way, in the Scriptures; the rich poetical meaning attached to them in the East; the lily that always appears in pictures of the Annunciation; the palm-leaves strewed in our Saviour's path; the crown of thorns woven for his brow, and his declaration of the field lilies, "that Solomon in all his glory was not arrayed like one of them" – indicating that his pure eyes had momentarily rested on their familiar beauty – lend to such persons a hallowed sense of their attractiveness. There is yet another reason for this exception to a prosaic view of what is merely charming in itself, which those disposed to bigotry make in favor of flowers. It is, that they symbolize immortality. No common figure of speech is more impressive to the peasant than that which bids him see a "type of resurrection and second birth," in the germination of the seed, its growth, development, and blossoming. Again, too, there are the associations of childhood, whose first and most innocent acquisitions were gathered flowers, emblems of its own exuberance, offerings of its primitive love. I imagine the sense of color – now regarded as a separate and very unequally distributed faculty – is one of the earliest developed; it explains the intense gratification even of an infant at the sight of a tulip; and there is reason to believe that the hues of flowers are the most vivid tokens of enjoyment that greet the dawning mind.

The orientals, adopts in voluptuous ease, place vases of flowers around their fountains; and, as they lie upon divans, their eyes close, in the refreshing siesta, with these radiant sentinels for the last image to blend with their dreams, and their odor to mingle with the misty spray and cheer their waking. The Greek maidens dropped flowers from their windows on those that passed, to indicate their scorn, praise, or love. One of the poetic touches which redeem the frugal lot of the grisettes, is the habit they indulge of keeping a box of mignionette on their window-sills. You may see them at dawn bending over it, to sprinkle the roots or enjoy the perfume. In Tuscany and the Neapolitan territory, peasants wear gay flowers in their hats; while the more grave people of the intervening country rarely so adorn themselves. I was struck, at the wedding of an American in France, to see the servants, tearful at parting with their mistress, decorating the interior of her carriage with white flowers. There is something, however, very artificial in the dry immortels here and there dyed black, for sale at the gates of Pere la Chaise, and bought by the humbler class of mourners to hang on the crosses that mark the graves of kindred. Our own rural cemeteries are teaching a better lesson. The culture of flowers in such domains, is not only in excellent taste, but, when judiciously selected and arranged, a grateful memorial. At Monaco, a town in Italy, a few years since, the body of a young child was covered with flowers, according to the custom of the place; and when sought for the purpose of interment, it was found sitting up and playing with the flowers – an affecting and beautiful evidence of the ignorance of death characteristic of that spotless age.

Fashion seldom interferes with nature without diminishing her grace and efficiency. It denudes the masculine face of the beard, its distinctive feature; substitutes for the harmonious movement of the chaste and blithesome dance, the angular caprices of the polka; clips and squares the picturesque in landscape into formalized proportions; and condemns half the world to an unattractive and inconvenient costume. Even flowers seem profaned by its touch; there is something morbid in their breath when exhaled profusely in gorgeous saloons and ostentatiously displayed at a heartless banquet; and wisely as the florist may adjust them into bouquets, they are so firmly entwined and intricately massed together, as often to resemble mosaic. We turn often from the most costly specimen of this appanage of the ball and opera, with a feeling of relief to the single white rosebud on a maiden's breast, or the light jasmin wreath on her brow. The quantity and showy combination of the flowers, especially the heated atmosphere and commonplace gabble of the scene, and often the want of correspondence between the person who so consciously holds the bouquet in her gloved hand and the sweet nature it represents, rob the flowers of their legitimate claim. Indeed, like all truly beautiful things, they demand the appropriate as a sphere. The east wind, in Boston, on the last national holiday, and the grave faces of the children, to say nothing of the idea that approbativeness and acquisitiveness were the organs mainly called in play in their little overworked brains, utterly dispelled all genuine romance and grateful illusion from the floral procession. Something analogous in character, atmosphere, and occasion, is needed to render the ministry of flowers affecting and complete.

We instinctively identify our acquaintances with flowers. The meek and dependent are as lilies of the valley, and, like them, need the broad and verdant shield of affectionate nurture; sycophants are parasites; exuberant and glowing beauty and reeling are more like the damask rose than anything in nature; the irritable annoy us like nettles; the proud emulate the crown imperial; the graceful are lithe as vine-sprays; the loving wind around our hearts like tendrils; and the cheerful brighten the dim background of life like the scarlet blossoms of the woodbine. Not a flower in the cornucopia of the floral goddess but hath its similitude and its votary. The boy's first miracle is to press the seed-vessels of the balsamine till it snaps at his touch; or shouts, as he runs from bed to the garden, at the sight of the rich chalice of the morning-glory, planted by his own little hand, that has opened while he slept. The clover's pink globe, and the deep crimson bloom of the sumac; the exquisite scent of the locust, and the auspicious blooming of the lilac; the hood-like purple of the fox-glove, and the dainty tint of the sweet pea, stir, whenever they reappear, those dormant memories of early and unalloyed consciousness, which

"––– neither man nor boy,
Nor all that is at enmity with joy
Can utterly abolish or destroy."

Thus, from the first, perverted mortal, thou wert indebted to flowers; –– as a wayward urchin, loitering on the way to school, thou whistled shrilly against the edge of a grass-blade, held a butter-cup to the chin of thy little comrade, or pulled away the feathery seed-blossom of the dandelion to ascertain if thy secret wish would be consummated; as a youth, with quivering pulses and flushed brow, thou wert not ashamed to seek the choicest flowers as interpreters of thy feelings towards one before whom thy words were tremulous, yet fond; and in thy prime, when positive knowledge and accurate deduction constituted thy felicity, it was, or might have been, to thee a rational pastime to study the botanical relations, laws, arid habits of these poetic effusions of the earth; causing them to gratify thee through analysis, as they once did through sentiment. And "in that Indian summer of the soul," that descends on frosty age, how do flowers serve as the magic connecting bond that unites senility and childhood! The eye of age softens as it beholds the shower of blossoms from the fruit-trees, thinks of its own flowery day, and is thankful for a serene maturity. Thus have flowers an utterance everywhere and always; the wild columbine, on its thread-like stem, that hangs on the stony cliff; the fungus, that swells from the mouldering trunk of gigantic forest-trees; the tropical exotics of the stuffo, that almost bewilder in their strange beauty; and the buds that open beneath Alpine snows, address our sense of adventure, of wonder, and of gentleness, in quiet, yet persuasive appeals, that sometimes we cannot choose but heed.

The fondness of the Dutch for tulip, it may be conjectured, is partly owing to the flatness of their country, as well as its alluvial soil; the absence of picturesque variety in form, inducing a craving for the most vivid sensations from color. Perhaps the compactness and neat growth of bulbous roots, so adapted to their cleanly and well-arranged domicils, somewhat accounts for the exquisite degree of cultivation to which they bring this species of flowers, It is one characteristic advantage of such natural ornaments, that a few well selected, or even one in a room or in the midst of a grass-plat, will diffuse refreshment and excite imagination. Thus the flowers that cluster on the roofs of Genoa, and the little knot of violets imbedded in geranium leaves dispensed by the flower-girls in Tuscany, are more pleasing than if the display were greater. On re-visiting a city of the latter State, after years of absence, as I followed the lagging porter who carried my luggage, in the twilight of early morning, I was startled by a cordial exclamation, "Ben tornato, 0 ben tornato, signore!" and looking down a narrow street, I saw the flower-girl from whom I had so long ago been accustomed to purchase, gayly advancing with a bouquet. It was a welcome such as awaits the traveler in few countries, and one which touched the heart with cheerful augury. There is, indeed, something in flowers redolent of hope and suggestive of amity. Their very universality renders them eloquent of greeting. The fair, maternal bosom of Titian's Flora has a significance beyond that which artists recognize; it proclaims Nature as a beneficent parent, lavishly dispensing the flowers that strew life's rugged path with sweet monitions and grateful refreshment. How, in the season of vivid emotion, has the unexpected sight of a pale crocus, bursting from the mould in early spring; the teeming odor of a magnolia, tossed on a summer breeze; or the green flakes of a larch, powdered with snowy crystal in the winter sun, kindled the very frame with a kind of mysterious delight! There is, to the poetical sense, a ravishing prophecy and winsome intimation in flowers, that now and then, from the influence of mood or circumstance, re-asserts itself like the reminiscence of childhood or the spell of love. Then we realize that they are the survivors of our lost paradise; the types of what is spontaneous, inspiring, and unprofaned in life and humanity; the harbingers of a blissful futurity. It was, therefore, in a rational as well' as a fanciful spirit, that trees were consecrated into emblems and auguries; that the willow, in its meek flexibility, was made the insignia of desertion; the cypress, in its solemn and dense foliage, of death; the enduring amaranth, of immortality; and the classic-shaped and bright, green leaves of the laurel, of fame. Not only in their native traits, but in their almost sympathetic habits, flowers come near our affections. How patiently the ivy binds the disjointed stones of a ruined edifice, and the moss creeps over the gray and time-stained roots and rocks, as if to cover their decay and relieve their sterility! With what a wreathing protection clusters the woodbine round the humble porch! The field flowers, some one has truly said, smile up to us as children to the face of a father; and the seeds of those destined for birds, fly on innumerable wings of down, to germinate the more abundantly. The warm hues of the dahlia would be oppressive in any other season than autumn; and the glitter of the ocean's strand is chastened by the gay weeds whose variegated tints are freshened by every wave that dies along the beach. Even this herbal, the repository of memorials gleaned from hallowed scenes, or treasured as the fragile trophies of joys as fragile, " strikes the electric chain" of imagination and memory with a deeper vibration than a sketch-book or a diary. That little cluster of thin, pale, green leaves, with a shade of delicate brown at the edges (called by the Italians the Hair of Venus), which clings to the page as if painted on its surface, once hung from the dark, rocky wall of the remarkable cavern in Syracuse, called the Ear of Dionysius; and as I look upon it, 'the deserted bay, crumbling tombs, and wreck-strewn campagna of that ancient site, are vividly before me; even the flavor of the Hybla honey and the echo of the mule's tramp return to my senses. This weed, so common in shape and hue that it needs a reminiscence to justify its preservation, was plucked as I stood tip-toe on the edge of a gondola, and held fast to old Antonio's shoulder, while he checked his oar beneath the Bridge of Sighs, and I snatched it from the interstices of the arch. The Piazza of San Marco; the Adriatic, glowing with the flush of sunset; the lonely canals, and all the gray quietude of Venice, are conjured by the withered memento, "as at the touch of an enchanter's wand." More costly acquisitions have yielded less zest in the winning than this slender yellow flower, which, evading the jealous watchfulness of the guard at Pompeii, I gathered to assure myself thenceforth that I had actually walked the streets of the buried city. How venerable seems this bunch of grass and flowers that drew its sustenance from the loamy walls of the Colosseum; and with how marvelous a freshness do I call up the medieval architecture, exquisite campanile, and mountain boundaries of Florence, beholding again the anenome purloined on a fine Sabbath morning in the gardens of the Boboli! I cannot see this cassia blossom without feeling a certain impulsion to monastic life, as I think of the kind friars, the noble organ, lava-heaped confines and soothing retirement of the Benedectine convent, at Cattania, whence I bore it as the memento of one of those white days in the traveler's experience, that atone for a thousand discomforts. Pleasant was the summer evening, at Messina, when, in one of the palaces that line the marina, we kept gay vigil in order to witness the blooming of this faded cereus; and high beat the pulses of an entranced multitude on the night this faded nosegay was pressed to the lips of Amina, in that last scena, when her voice quivered with uncontrollable feeling, and caroled the "Ah, non giunge," in tones of such pathetic delight as brought a tear to the sternest eye. I will not throw away this rusty-looking japonica, but keep it as a talisman to guard me from the fascination of heartless beauty, reflecting on the character of the brilliant–––, in whose dark hair it rested during the last ball of her triumphant season; that bewitching face displaying every phase of expression, while not one look was inspired by a soul, any more than this flower, in its graceful prime, was imbued with fragrance. Far different is the association that endears the scarlet honeysuckle and white hollyhock beside it. Through peaceful hours, that overflowed with unuttered tenderness and an ecstatic sense of geniality and recognition, I watched beside one I loved, the humming-bird and the bee sipping the nectar from their chalices, and compared the luxurious pastime with my own. Nor will I cease to treasure this orange-blossom, given me by the dark-eyed Palermitan, in the grove of her father's domain, when the air was filled with the odor of the sweet south, and musical with the far-off chime of the vesper-bells. The scent of this grape-blossom is associated with the hospitality of a villa, below Fiesole; and that heliotrope makes me think of a fair invalid with whom I wandered among the ilexes of a palace-garden, in whose grassy walks the vanilla flower grew profusely. I caved the reedy leaf that is stitched to the opposite page, as one of the countless proofs of the thoughtful care of my motherly hostess, at–––. She stuck it in my window on Palm Sunday. When gleaned, in a field near Lucca, this little flax-blossom held a dew-drop, and looked like the tearful blue eye of a child. Arid as it is, the pink, star-like flower beneath, whispers of romance. At a pic-nic, a friend of mine, who has an extreme impatience of tenter-hooks, determined to have his position with a certain fair one defined, as, after some encouragement, she seemed half-inclined for another. With true feminine tact, she had avoided an interview, though they constantly met. I believe she either could not decide between the two, or hated to give up my friend. He laughingly proposed, while we were resting in a meadow, to make his favorite a sybil; and handed her a knot of these starry flowers, to pluck the leaves one by one, and reveal the hearts of the company, according to a familiar game. When the time came to apply the test to her own sentiments, she was visibly embarrassed. He fixed his calm eye upon her face; and I, knowing at once his delicacy and his superstition, felt that this was a crisis. The lovely creature's voice trembled, when, half petulantly, and with visible disappointment, she plucked away the last leaf, which proved her only his well-wisher. The omen was accepted, and my friend soon had

"–––––a rougher task in hand
Than to drive liking to the name of love."

Flowers are the most unobjectionable and welcome of gifts. There is a delicacy in selecting an offering, whether of gratitude, kindness, or affection, that sometimes puzzles a considerate mind; but where any such hesitancy occurs, we can turn to flowers with complacency. Nature furnishes them, and all her beautiful products may bravely challenge fastidiousness. No human being, not utterly perverted, can scorn flowers; nor can they be offered, even to the spoiled child of fortune, without an implied compliment to taste. The fairest of Eve's daughters, and the proudest scion of nobility, as well as the village beauty; the most gifted and the least cultivated, provided either imagination or heart exists, must feel gratified at such a tribute, whether from dependent or equal, new acquaintance or faithful lover. Like all spontaneous attractions, that of flowers gives them immunity from ordinary rules. They are so lovely and so frail, that, like children, they bespeak indulgence ere they offend. Of all material things, they excite the most chivalric sentiment; and hence are given and received, scattered and woven, cultivated and gathered, worn and won, with a more generous and refined spirit than any other ornaments. They are radiant hieroglyphics, sculptured on the earth's bosom; perhaps the legacy of angels; but certainly overflowing with messages of love that are apart from the work-day scenes and prosaic atmosphere of common life, and allied to better moments; to the sweet episodes of existence, to the promises of faith, and the memories of youth; and hence they are consecrated, and, like "the quality of mercy," bless "him that gives and her that takes."

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